Posts

New Header Image. Something a bit simpler.

Yes, you noticed. I changed the picture at the top of the page. I liked the old one, but it’s more a collection of image fragments than anything, and I thought I’d like to put a picture at the top, however goofy, so it looks like a real person lives here. If the old one was a hodgepodge, you’re now treated to a different kind of excess. I was playing with Photoshop all day yesterday, making surfaces rise, fall, and rumple. On the whole, it’s not what I’d intended, and it will change in days to come, but how about let’s just put it up for now. Stuck up on the refrigerator until the next version emerges. The frantic reality of life as a daddy has me working digitally much more than I’m making prints & drawings lately, so perhaps it’s more honest to have a summary image that reflects the tools I’m actually using right now. Inky printmaking hands again someday soon, but for now, this. If you’re a big fan of the old header, here you go: (see below). Click on it to see it full-sized, and you can pretend it never left. The Joe Hill of  blog headers.

A collage of fragments from Eric Waldemar's prints and ink drawings.

InkPainter for iPhone: The Appeal of “Simulated” Ink & Brush Drawing

abstract inky scrawl made with InkPainter, an iPhone drawing appHaving sniped in a recent post about the way that Photoshop opens graphic possibilities, but impairs decisive intention and clarity of mind, I thought I’d now play devil’s advocate to myself, looking at how even low-tech “digital painting” has substantial rewards. It’s true that there’s no substitute for ink and a brush, but in the right context, an enjoyable fake can be just the thing.

I spend a fair bit of time with tools like Photoshop and Corel Painter, but in recent days, I’m more excited about painting on my iphone with a tool that’s not all that far from a toy. Read more

Varieties of Analog, Physical & Digital Distortion

I’ve never been one to be precious about a “clean” image, and smears and surprises lead to all kinds of interesting places as one makes work of various kinds.  However:  When I set out several years ago in the Thinking Truck (see the archive), I was working with digital cinema for the first time, learning After Effects and Combustion (video animation and special effects software), and I was also using my first really capable video camera. I’m still trying to come to terms with the “digitalness” of these media after working with 16mm film, paint, and ink, and I’m still trying to articulate what my problem is, when there is one. Read more

The Unsecret Block

The Unsecret Block

Over 1600 images on 111 sheets. This “block” is threaded through in a variety of ways to create three distinct pieces of animated visual music. This installation, which includes both video and still images, will appear as the centerpiece of “Time & Attention,” opening at Ironton on October 23rd. Esoteric secrets of abstract animation will be laid bare. Related drawings, prints, and cinema will also appear. Movie bits will appear on this site as the show approaches. Contact me to make sure you’re kept informed.