Category Archives: Writing

Mage’s Boat

When someone is sent to find the old man, all else has already failed. If he’s not out in the boat, he’s out walking, some way off the paths, in-turned, but aware of each sound and scent, and each combination. … Continue reading

Posted in Exhibitions, Prints, Rude Gallery Exhibition Sept-Oct 2010, Writing | Tagged , , , , , , , , , , , , , , , , | Leave a comment

News from Babel, Chris Cutler, and the Legacy of the Cow.

The other evening in the wee hours, I heard News From Babel’s “Letters Home“  (1985) for the first time in a few years. This is music that continually surprises, with melody that takes sudden turns and twists, alternately giddy, melancholy, … Continue reading

Posted in Music, Reviews, Uncategorized, Writing | Tagged , , , , , , , , , , , | 2 Comments

Gao Xingjian’s “Return to Painting”

This is a favorite of mine, a gift from my sister a few years ago. Gao draws astounding forms from black ink and paper, pulling image from abstraction and bleeding ink in a way that reminds me of Joseph Beuys’ … Continue reading

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Odin-Odeon Cinema Fragment One

Each Wednesday (Woden’s Day) night this Spring, when possible, I would go over to the studio and make prints. I had several etched plates lying about, each of them suggestive of image, while not quite readable without interpretation. The ways … Continue reading

Posted in Cinema, Harry Smith, Prints, Rude Gallery Exhibition Sept-Oct 2010, Uncategorized, Writing | 1 Comment

Mini-’Pipney

I love the feeling that I’m coming to an understanding of something that’s very complex, that’s too intricate and layered to put into words. Like jazz harmony this afternoon, when it began, as it sometimes does, to get out of … Continue reading

Posted in Aphorism, Uncategorized, Writing | 1 Comment

Lemonade Stand

I’m not sure what age I was when I had my lemonade stand – let’s call it eight years old or so. I don’t know if it even lasted an hour, but in any case, I nailed legs onto a … Continue reading

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MCA Denver as Edifice.

This is part of a piece I wrote for the Invisible Museum’s Eye-Level late last year. The original article compared MCA and Redline as architectural experiences, relating their design choices to their very different missions. That particular issue of Eye … Continue reading

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