Time Casts Shadows

Edges soften or harden depending on the light source. Months merge to quick glimpses in the shadow of memory.Flashes are given sequence, and from the mind's turbulent puddle, we conjure up a stream.

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\Welcome to Waldemar Pure &\\
\\Applied Research.
Please stay with your assigned group.E.W.
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____Far from Home

An itinerant mechanic wanders an unfamiliar planet.
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Recent Posts
- Redmond Herrity, Letterkenny Stone Sculptor
- Krazy Kat Desert Justice: Is Humor Art, and Art, Humor?
- Mage’s Boat
- ArtWorks Letterkenny Exhibition Scandal
- News from Babel, Chris Cutler, and the Legacy of the Cow.
- Nibble on the Yellow Wallpaper at RedLine
- Old Tongue Peeled
- End of Empire
- Gao Xingjian’s “Return to Painting”
- Odin-Odeon Cinema Fragment One
- Old Tongue
- Mini-’Pipney
- Primordial Soup Cartoon
- Speechlessness
- Animations from UCD

- For all the art talk and theory, an artist, regardless of their specific beliefs and cosmology, knows that when it goes well, the moment of making is a moment of grace, some kind of gift, a treasure and a privilege. This experience is as old as art is, although a lot of contemporary art talk belittles it. We, as artists, the kind that I mean, are not just content providers for... a luxury market, a network of institutions, a sophisticated discourse, and a social scene. We are, at our best, much more than that. What, then? I don't know, still. I just have a thread that I need to follow.
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Category Archives: Uncategorized
Redmond Herrity, Letterkenny Stone Sculptor
At our ArtWorks opening in Letterkenny, we saw Redmond and Orla Herrity for the first time in a year. Redmond is a superb stonecarver, and he invited us to come by his studio the next morning. He’s carving some replacements … Continue reading
Posted in Uncategorized
1 Comment
Krazy Kat Desert Justice: Is Humor Art, and Art, Humor?
Maybe it’s the teapot mesa horizon – I’m not sure what else ties this monoprint (mine) to George Herriman’s Krazy Kat, one of the oddest and greatest comic strips in history. It’s what I thought of right away when it … Continue reading
Posted in Ink, Prints, Rude Gallery Exhibition Sept-Oct 2010, Uncategorized
1 Comment
ArtWorks Letterkenny Exhibition Scandal
No scandal just yet, despite the lurid title, but come by the reception this Saturday (July 17th) if you’re in the area, or if you can be. If shocking behavior occurs, this is where it will likely take place. Get … Continue reading
News from Babel, Chris Cutler, and the Legacy of the Cow.
The other evening in the wee hours, I heard News From Babel’s “Letters Home“ (1985) for the first time in a few years. This is music that continually surprises, with melody that takes sudden turns and twists, alternately giddy, melancholy, … Continue reading
Posted in Music, Reviews, Uncategorized, Writing
Tagged Art Bears, Chris Cutler, Dagmar Krause, File Under Popular, Fred Frith, Henry Cow, Lindsay Cooper, News from Babel, RIO, Robert Wyatt, Rock in Opposition, Slapp Happy
2 Comments
Old Tongue Peeled
The version of “Old Tongue” that just opened at ArtWorks is too quick and detailed to come across on the web, but by trying to strip it down for compression, I came up with a very different version, one that … Continue reading
Posted in Cinema, Ireland Exhibition Summer 2010, Letterkenny, Uncategorized
Tagged abstract, Art, ArtWorks, cinema, Eric Waldemar, Experimental, Ireland, Letterkenny, Old Tongue, peeling, posterization, Rian Kerrane, Seamus Quinn, visual music
2 Comments
Gao Xingjian’s “Return to Painting”
This is a favorite of mine, a gift from my sister a few years ago. Gao draws astounding forms from black ink and paper, pulling image from abstraction and bleeding ink in a way that reminds me of Joseph Beuys’ … Continue reading
Posted in Books, Ink, Reviews, Uncategorized, Writing
Tagged Amazon, Artist, Books, Brushwork, Chagall, Chi Hsu, Chinese, Contemporary, Fuentecilla, Gao, Gao Xingjian, ink, Joseph Beuys, Nobel Prize, Return to Painting, Reviews, Soul Mountain
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Odin-Odeon Cinema Fragment One
Each Wednesday (Woden’s Day) night this Spring, when possible, I would go over to the studio and make prints. I had several etched plates lying about, each of them suggestive of image, while not quite readable without interpretation. The ways … Continue reading

