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Recently Perused
- Nibble on the Yellow Wallpaper at RedLine
- Mass MoCA's once-painted walls vs. Sol Lewitt's wall paintings
- Secret Tunnels Under Denver & Boulder
- Robert Wyatt (thanks.)
- Krazy Kat Desert Justice: Is Humor Art, and Art, Humor?
- MCA Denver as Edifice.
- News from Babel, Chris Cutler, and the Legacy of the Cow.
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Recent Posts
- Back to America
- On my own for a couple of hours. Cloudy afternoon.
- No time for ideas.
- Light Plays On Everything
- The Rock Feels Watched
- Querulous
- plant, chair, and WordPress for iPhone
- Cafe faces, cranky I
- Back at the cafe
- Into Blinding Light
- Denver, from the Auraria Campus Parking Lots
- New Header Image. Something a bit simpler.
- The Pelican, the Alembic, and the Concealing Wall
- The Helmet is a Veil
- Live Iron Sculpture Casting at Auraria Campus March 10th (my poster)
- For all the art talk and theory, an artist, regardless of their specific beliefs and cosmology, knows that when it goes well, the moment of making is a moment of grace, some kind of gift, a treasure and a privilege. This experience is as old as art is, although a lot of contemporary art talk belittles it. We, as artists, the kind that I mean, are not just content providers for... a luxury market, a network of institutions, a sophisticated discourse, and a social scene. We are, at our best, much more than that. What, then? I don't know, still. I just have a thread that I need to follow.
Time Casts Shadows
Edges soften or harden depending on the light source. Months merge to quick glimpses in the shadow of memory.Flashes are given sequence, and from the mind's turbulent puddle, we conjure up a stream.
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\Welcome to Waldemar Pure &\\
\\Applied Research.
Please stay with your assigned group.E.W.
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____Far from Home
An itinerant mechanic wanders an unfamiliar planet.
Category Archives: Prints
Things that appear:
Representation may not be the point, exactly, but I often do enjoy it when “pictures” appear. In general, I find that in general, apparently non-objective works tend to begin as deliberate “pictures of something,” while on the other hand, virtually … Continue reading
Posted in Prints, TIME & ATTENTION at Ironton
Tagged Eric Waldemar, Ironton, monotype
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Slices from the Block
A few of the 111 sheets from The Unsecret Block. The simplest way through each brief moment of animation is to go down each column from the top left. There are many other ways to navigate the block. Movies to … Continue reading
Posted in Cinema, Prints, TIME & ATTENTION at Ironton
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The Unsecret Block
Over 1600 images on 111 sheets. This “block” is threaded through in a variety of ways to create three distinct pieces of animated visual music. This installation, which includes both video and still images, will appear as the centerpiece of … Continue reading
Posted in Cinema, Prints, TIME & ATTENTION at Ironton
Tagged animation, digital, movie, Painter, video, visual music
1 Comment
Silence is Layered
While movies assemble still images into various illusions of motion, monotype printmaking compels one to select and freeze a moment in a fluid work process. Some of these images include multiple “drops,” which makes the concept of “moment” somewhat more … Continue reading
Water Pouch
Monotype Continue reading
