Representation may not be the point, exactly, but I often do enjoy it when “pictures” appear. In general, I find that in general, apparently non-objective works tend to begin as deliberate “pictures of something,” while on the other hand, virtually none of the most apparently mimetic works actually began that way. Whatever I try to do, turns into something else, and then I do the best I can to follow it to its destination.
Time Casts Shadows
Edges soften or harden depending on the light source. Months merge to quick glimpses in the shadow of memory.Flashes are given sequence, and from the mind's turbulent puddle, we conjure up a stream.
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An itinerant mechanic wanders an unfamiliar planet.
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- For all the art talk and theory, an artist, regardless of their specific beliefs and cosmology, knows that when it goes well, the moment of making is a moment of grace, some kind of gift, a treasure and a privilege. This experience is as old as art is, although a lot of contemporary art talk belittles it. We, as artists, the kind that I mean, are not just content providers for... a luxury market, a network of institutions, a sophisticated discourse, and a social scene. We are, at our best, much more than that. What, then? I don't know, still. I just have a thread that I need to follow.
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